Category Archives: Lists

Friday Fiction Fixes #22…

Jaws by Peter Benchley – 1974

Jaws_novel_coverIf you haven’t read Jaws I would urge you to do so. If you have no inclination to read it because you think it’s probably just a pulpy and poorly written airport novels, the only value of which was to spawn Hollywood’s annual summer blockbuster tradition… think again. Not only is Jaws none of those things, but it’s one of the very best novels I’ve ever read.

I’ll be honest: the quality of Jaws really surprised me too. When I picked it up I had no idea how good it was going to be, because like most people I saw the movie first, and it’s sometimes difficult to get that Hollywood taste out of your mouth. Don’t get me wrong – it’s a very good movie, but the book goes in to a lot more detail and does almost everything better.

Yes, Jaws is essentially a book about a killer shark, but it also explores plot threads that the movie doesn’t even touch upon, including the marital problems between Brody and his wife, and the tension between Brody and Quint. The book even includes a bunch of f-bombs which are (for obvious reasons) conspicuously absent from the movie. All of these things and more make the novel feel like a more adult-oriented experience, and a more worthy and realistic one as a result.

Tuesday TV Testimonials #22…

Rugrats (1991 – 2004)

636170782251805987-1426316873_rugratsThere are very few television cartoons that appeal equally to children and adults, but Rugrats is one of those exceptions. Of course, this didn’t even begin production until I was at the latter ends of my teens so perhaps I’m not the best judge of straddling demographics, but I’ve watched Rugrats with my five-year old nephew and laughed right along with him.

The main characters of the show are one-year old Tommy, his two-year old best friend Chuckie, and his three-year old cousin Angelica. Tommy is usually the brains of the operation and often comes across as pretty wise for your regular one-year old kid. Chuckie was my favourite character (I wonder if that’s because I like redheads) and is scared of anything remotely exciting. Angelica is the resident bully and schemer, whose only concern is for herself.

The plots are usually witnessed through their eyes (along with various other friends and relatives) as we follow them through their day to day activities, and make their mundane toddler lives seem like fantastic adventures. Episodes are often populated with exaggerated and hyperbolic scenes in order to represent their vivid imaginations, which are sometimes presented to the viewer as pre-watershed versions of a trippy acid sequence.

The show was crudely animated and visually was always a little ragged around the edges, but that was part of the charm. A trilogy of films followed, but – passable as they are – Rugrats definitely worked better as twenty minute bites.

Monday Movie Mentions #22…

Dude, Where’s My Car? (2000)

dfde434c-5a40-4203-b377-2f3037aa94faDude, Where’s My Car? was the absolute favourite movie of one of my ex-girlfriend’s. Oh, how she would laugh when she watched it. The problem however is that Dude, Where’s My Car? is an absolutely terrible movie – the kind of terrible that makes a guy re-evaluate his relationship choices. In fact, this movie may very well be the reason she is my ex-girlfriend*. It’s that bad.

My ex-girlfriend would laugh so much when she was watching this movie – which she watched more often than I would care to admit – that I began to wonder if I just didn’t know a good joke when I heard one. Then again, I had introduced her to Laurel and Hardy, and she repaid me by giving me Ashton Kutcher, so it seems I got the short end of that particular stick. She knew I hated it, so perhaps this was just an innovative approach to get me to leave her.

I was in my early twenties when I was introduced to this abomination, which is probably the target age group for all of the toilet gags and lewd humour on display, but even at that infantile age I had higher comedic standards. Dude, Where’s My Car? is just a lazy movie that is more tragedy than comedy.

*Not the reason she is my ex-girlfriend.

Sunday Song Suggestions #22…

You’re the Voice – John Farnham – 1986

Beyond his antipodean backyard John Farnham is not as well known or respected as his talent on the microphone should dictate, and has been overlooked internationally for most of his long career. That’s a crying shame, because he is arguably the greatest pop/rock performer Australia has ever produced. You know… next to Gina G.


You’re the Voice is taken from his 1986 album, Whispering Jack, and stands as the song that is most associated with him. It’s a power ballad that builds from a soft introduction to a chorus that few others could nail the way that Farnham does here, and also includes a brief yet memorable bagpipe solo, an instrument not often associated with the genre.

I’ve dropped the links for both the album version, as well as a live recording from three years later which he performed with the Melbourne Symphony Orchestra, quite simply because – as well as that entire concert being fantastic – this may be Farnham at the peak of his vocal powers. If anything, his range and raw emotion is used to greater effect here on stage than it ever was in the studio.


…and besides, this is my list and I make up the rules as I go along, so today is two for the price of one.

Friday Fiction Fixes #21…

Mister X by John Lutz – 2010

imagesI could probably be rightfully accused of having a predilection for those authors whose books I am already familiar with, so it’s infrequent that I read a novel by someone that not only have I never read before, but someone that I have not even heard of before. Mister X is one of those novels, by one of those authors. As it turns out, Lutz is a pretty popular writer as well – who knew?

Mister X is a crime thriller about the hunt for a serial killer who enjoys carving up his victims in all manner of wonderful ways. His trail has gone cold and interest in his capture only begins again when a strange woman with a curious connection to one of the victims shows up out of the blue in the office of the case’s lead detective.

It’s a fairly standard entry into an extremely crowded genre, and while it does nothing in a particularly outstanding manner, everything it does do, it does… competently. The characterisation is satisfactory; and the plot is (for the most part) fairly interesting. Yeah, Mister X is a competent novel in every respect – just don’t expect it to make a lasting impression on you.

Tuesday TV Testimonials #21…

Chicago Hope (1994 – 2000)

castMedical dramas are almost as much of a television staple as their legal counterparts. Chicago Hope had the dubious pleasure of debuting on the same day as that other medical juggernaut of the nineties, which was probably at least part of the reason that this one was cancelled after six seasons and the other one went on for a few more.

The writing on Chicago Hope was deep, but there was frequently a playful wink just below the surface – with a noir-inspired black and white episode, a musical episode, and one filmed as a celebrity style documentary, amongst other oddities. These diversions from the general week to week of surgery and the emergency room will come as no surprise once you understand the show is the brainchild of David E Kelley – the same guy who spawned Ally McBeal just a few years later.

The cast of Chicago Hope went through several transitions until, by the end of its run most of my favourites had fallen by the wayside, and there were only a couple of characters who had been there from the beginning. As the final season kicked in, although still good, the show’s glory days were a couple of years in the past, and its cancellation probably saved it from jumping the shark and kept its reputation intact.

Monday Movie Mentions #21…

The Gift (2000)

941879727c1aa0e222aca9844b3547c9Let’s get one thing clear right off the bat: Keanu Reeves is probably not even his mother’s favourite actor, and if he ever wins an Academy Award for acting it will be a very poor year in cinema indeed. However, in The Gift, as an asshole wife beater who the audience is not supposed to like anyway, he is actually a very good and believable choice. If this isn’t his best performance, it’s certainly top three.

The Gift is a thriller with a little of the supernatural thrown in to the mix, about a missing woman presumed by the authorities to be dead. It is not particularly spooky or thrilling, but that’s all right though, because this movie is more about rural Americana and the interesting characters on display than it is about cheap jump scares.

The Gift has a stacked cast as well, which helps with the required acting chops – from Cate Blanchett’s soft-spoken small-town psychic who helps the authorities with their enquiries, to Hilary Swank as the destination for Keanu’s wild fists, and the always watchable Giovanni Ribisi as the disturbed mechanic, whose rage bubbles just below the surface.

And then there’s Katie Holmes. Playing the missing woman in question, she moves – quite definitively – away from her Dawson’s Creek roots, with a very… grown up performance.

Sunday Song Suggestions #21…

Mary Jane’s Last Dance – Tom Petty and the Heartbreakers – 1993

With his unfortunate and untimely death earlier this week at the age of 66, I thought this would be as good a place as any to mention Tom Petty.

If you asked me to draw up an exhaustive list of my favourite male singers, it’s unlikely Tom Petty would crack the top hundred. His voice wasn’t the sharpest or the strongest and I always felt like his target demographic was my parents and their peers. His stomping ground was similar to that of Bruce Springsteen and John Cougar Mellencamp, and between the three of them they had that whole gruff-voiced male heartland rock thing covered.

Having said that I do own some of his tunes, and his stuff makes for very good driving music, which is a specific and underappreciated quality.

Dark and mysterious lyrics combine with a memorable guitar and harmonica relationship throughout to make Mary Jane’s Last Dance one of Tom Petty’s best songs. Kim Basinger – the ubiquitous Hollywood sex symbol at the time – is the titular woman in the accompanying video, which manages to be both sensual and eerie at the same time.

Rest well, Tom.

Friday Fiction Fixes #20…

The Mystery of the Crimson Ghost by Phyllis A Whitney – 1969

5665262I could easily lie and say that I remember all about this novel, but the truth is the only thing I know about The Mystery of the Crimson Ghost is that I read it as a child.

This was more than likely the first novel I ever read,  probably when I was no older than seven or eight. In fact, my continued fascination with those dark corners of the human condition may stem quite directly from this children’s story from the sixties, about a girl, a horse, and a mysterious red light.

I had to do a little investigation to even come up with the details of the story… but as soon as I saw the cover online, I knew that was the book I had been looking for. It’s strange the way the mind works sometimes.

Even reading the synopsis of the story doesn’t toll any bells, so this is an odd post in that it is more about clutching on to a vague memory that barely even exists anymore, rather than recalling a story I actually enjoyed. Hell, maybe The Mystery of the Crimson Ghost was complete rubbish and I’ve blocked it from my mind.

Tuesday TV Testimonials #20…

Shark (2006 – 2008)

db282bfdec15a993d541fecf245c1c41--shark-tv-show-sharksShark was only given two seasons and fewer than forty episodes, and is another in the lengthy line of television shows that was cancelled far too early. I’m not saying that every new programme should be given half a dozen years on our screens before viewers decide whether they want to continue watching it – that is ridiculous – but some shows need a bit of a longer run up than others.

Shark was ostensibly another show about the machinations of a law firm and those who worked there, and it immediately became a part of perhaps the most crowded genre on television. The show probably didn’t do enough to distinguish itself from any other legal drama, and was really just a vehicle for James Woods to show that he could be an imposing dude on the small screen as well as at the movies, which – spoiler alert – he could.

I don’t know why Shark didn’t connect with audiences, but Woods was sixty years old at the time and TV is a young man’s game, so that may have had a little to do with it. The show was well written and acted, and it did showcase a younger supporting cast of characters (probably in an effort to balance out the demographic), but it was to no avail, and Shark quickly joined the list of those gone too soon.