I got it into my head these last few days that I really should back up my stories on a disc, because if my laptop takes a swan dive I will have lost most of what I’ve done over the last quarter of a century. And that… well, let’s not think about it.
Sure, I have some of them printed out, and most of them are sitting in a folder in my Hotmail account, but most is not good enough. I wanted everything all together. I don’t want anything to be lost because I was too lazy to do anything about it.
After having an extremely hard time with blank discs that my laptop struggled to read, I zipped it all and sent myself an email. I also uploaded everything to one of those clouds for extra insurance.
Every draft of every short story. The novel, in all its iterations. The poetry. All the stuff in progress.
Quite simply, it’s everything I have: my life’s work packed up in about ten megabytes.
That’s a scary thought.
I haven’t done too much new writing this week, but I’ve thrown a couple of other childhood tropes into my latest Jack & Patrick tale, and it’s now rocking the rolls-off-the-tongue title of A Rabbit, a Fairy, and a Fat Man in a Red Suit. I think those three childhood ‘superheroes’ will work better as part of one story, than my initial plan to give them each their own narrative… and if you are struggling to figure out who I’m talking about, I really don’t know what to tell you!
I’ve (unintentionally) got into the habit of making each of these episodes two thousand words long – give or take a hundred – and this one looks like it will fit right in to that pocket. The nice thing about all of these Jack & Patrick stories is that I know if I get some time to myself and find the right rhythm, I could knock this piece out in an evening.
I still have to find the time (make the time) to send off some stories as well, and – more importantly – to hunt around for representation for Slipwater, because sooner or later I will hit upon someone who likes what they are reading, and sees the value in it.
A couple of weeks ago I mentioned that I had been brainstorming ideas for some new Jack & Patrick adventures. Seasonally inaccurate, I know, but one of those ideas is a Christmas story.
I started putting it together this week and got into it a little deeper than I had expected, so I now have a good chunk of the dialogue to work with. Although I do have other Jack & Patrick pieces in development, this will likely end up being the next – the eighth one – in the series.
I plan to send my novel Slipwater off to a few more agencies this week, because I’ve had a couple come back lately with a negative. Disheartening, sure, but writers are more familiar with rejection than most, and there’s always a contingency plan.
Besides, it’s their loss, because that story is money for the editor who is able to spot its potential.
I sent off my novel Slipwater to a few more agents this week, because (hard as it is to believe) it’s been almost a year since I finished it. And even harder to believe is that I have not changed, added, or removed one word of it since then. Seems I’m showing some restraint in my forties.
I know that if other more traditional avenues don’t work out I could go the self-publishing route. That’s something that’s always open to me. I know as well that that does not have to equate to giving up. There are plenty examples of self-published novels that have subsequently been noticed by the big leagues, but the fact that anyone with internet access and enough words is literally a few mouse clicks away from being a published novelist still irks me and, for the time being, I refuse to do it.
I want an agent or an editor to tell me what I already know – that it’s good, that there’s a market for my writing, and that they want to buy the manuscript.
Too much to ask? I guess we will just wait and see.
Well, not very much as it happens – certainly not as much as the first week of last year, when I was burning both ends of that candle and kicking out my final draft of Slipwater, but definitely more than I wrote in the final week of last year. I’m going to take that as a positive and move forward from there.
The short story I’m writing at the moment has been on the books for several years, and has gone through a number of name changes along the way, but I have settled for The 07.43 to Blackford Station, which is of course, subject to change.
It’s an old-fashioned monster story – something I’ve wanted to write for a long time – and is centred on five teenage friends as they take the morning train to school. I have over 3000 words down, and I’m probably looking at twice that upon completion. I know the beats I want to hit, so hopefully I can finally put my mind to it and put this story to bed once and for all. .. by the end of February.
So, The Girlfriend© is the first person to finish reading the final version of Slipwater, and she says that she likes it a lot, which I do appreciate very much. If her critique is anything to go by, I have managed to produce a cohesive and entertaining page-turner that left her with a lump in her throat by the time it ended. Really, what more can I ask for?
But let’s be honest, that’s a little like showing your mum your homework and having her pat you on the head and say that it’s good… isn’t it? (I’ve heard) that women can fake orgasms, so I’m sure they can feign a little glowing praise in other departments too if required.
Still, it is extremely gratifying for someone to recognise the hard work that has gone into producing it – even if she is just keeping me sweet because Valentine’s Day is just around the corner. There are worse things that she could lie to me about!
I only hope that I find an agent or editor who is as enthusiastic about Slipwater as she has been, because if I do, I’ll be a very happy little writer indeed.
A fast-paced police thriller at its core, with science fiction undertones, Slipwater is above all else, a tale of love lost, and hope regained. It is the story of one man’s blind desire to chase the second chance at the life he saw ripped away, no matter what the cost; and of his best friend’s quest to stop him.
That is part of the synopsis for Slipwater that I have sent off to five agencies over the last few days, along with either the first three chapters or the opening 10,000 words.
Agencies (and publishers, should you choose to go to them directly) dont want the entire manuscript, and that’s fair enough. I’m sure you know if you’re enjoying a book before reaching the end, and similarly, they don’t need to read every word you have written to know if it’s any good. What they ask for does however seem like a narrow window: a lot of stories are only just taking the training wheels off at that point. But, this is not my game, and these are their rules.
The girlfriend is currently reading it as well. She says she is enjoying it, but then again… she has a dog in this race, so it will be difficult for her to be completely blunt and honest. Hopefully there are no glaring plot holes or silly continuity errors that I inexplicably missed in all my edits – and I don’t think there are – but however she responds to it, it will be good to hear the opinion of someone who doesn’t know what is coming next.