Tag Archives: horror

Nightmares & Dreamscapes #2 – The End of the Whole Mess…

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Word count – 9,500

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The End of the Whole Mess is a first-person tale (I guess you could call it dystopian sci-fi) in which Harold is the only character the reader sees, although most of the story is dedicated to him talking about his brother Bobby, and what he did to bring about the end of the world.

If you enjoy listening to King ramble on in great detail and at great length (and I usually do) then you’ll get something out of this story, but most other people need not apply.

The End of the Whole Mess is far from the best short story King has penned, but it’s a worthwhile (albeit self-indulgent) read, if only to get to the final couple of pages which sees Harold ranting incoherent gibberish as he falls further towards his inevitable demise.

Recommended ⇑

Skeleton Crew – Overview…

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Skeleton Crew came out in 1985 and was the second collection of short stories Stephen King published. Overall, it is a decent book, although if I had to put it side by side with Night Shift, it would probably come up a little short. It also feels less cohesive than that first book – more a bunch of stories put together than anything truly united. It’s subtle, but it’s there.

I recommended fifteen of the twenty-two pieces on offer in Skeleton Crew, and if you take away the two pieces of poetry (which probably shouldn’t count towards the total anyway) that’s fifteen out of twenty. 75% is a pretty good win rate, although it’s not quite as good a number as I posted for Night Shift.

Of the five pieces I didn’t recommend, Beachworld fared the poorest. Sci-fi is a tough sell for me, and this did nothing to change my opinion on the genre. I’m sure there’s something in here for those who enjoy that kind of thing, but that ain’t me.

If I had to choose, I would say the best stories here are The Ballad of the Flexible Bullet (which has the advantage of added detail, being a novella), The Mist (which is even longer), monster horror story, The Raft and the thought-provoking Survivor Type fighting it out for the top four spots.

So, the trend is slighty downward, but it’s a good read and still a lot better than a lot of other collections out there.

Skeleton Crew #20 – Gramma…

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Word count – 11,800

Gramma is about a young boy called George who finds himself looking after his elderly and infirm grandmother on his own, only to find that he is constantly spooked by her presence.

Halfway through the story it becomes clear that the old woman has died and George spends some time trying to figure out how he is going to explain this to his mother. Spooky goings-on ensue.

Ultimately, Gramma is too long and too little happens for me to care all that much about it. This is certainly all about the atmosphere, and King takes his time building that – so maybe the problem here is mine – but I can’t get behind a horror story isn’t scary, and where nothing happens.

Not Recommended ⇓

Skeleton Crew #19 – Big Wheels…

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Word count – 5,100

Big Wheels: A Tale of the Laundry Game (Milkman #2), which is this story’s full title, follows on from the previous story in this collection, Morning Deliveries, but centres around a couple of laundry workers who go out in the middle of the night trying to find a place to inspect their vehicle and deem it roadworthy… all while they are both knocking back the beers.

As with Morning Deliveries, this story has been cobbled together from chapters of an abandoned novel that King was writing called The Milkman, but unlike that first story, Big Wheels meanders and ultimately doesn’t stand on its own. It also includes references which I am sure are intended to allude to other parts of the novel that he hasn’t included here.

So I will have to pass on this one. It may very well work as part of a larger narrative, but snipped out as a story in its own right, it falls a little flat.

Not Recommended ⇓

Skeleton Crew #18 – Morning Deliveries…

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Word count – 1,600

Morning Deliveries (Milkman #1), to give it its full title, is exactly what you think it is – a very short tale about a milkman who is going about his daily deliveries. Except, of course, he is not just leaving milk on the doorstep. Where would be the horror in that?

We follow Spike as he does his rounds, but it quickly becomes evident that he is not a model employee, or anyone you would want to accept a milkshake from. At random doors, he leaves a surprise in with the breakfast accompaniment – be it a spider, liquid poison, or maybe even a deadly gas, and then he just continues on with his work.

Morning Deliveries is one of the shortest stories in Skeleton Crew, but it’s also one of the better offerings. Another storytelling example of simplicity sometimes being more important than complexity.

Recommended ⇑

Skeleton Crew #17 – Uncle Otto’s Truck…

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Word count – 6,900

Uncle Otto’s Truck is about a old beat-up pick-up that has a bit of an evil streak. After being used as a weapon itself, the vehicle sets out to get his revenge on the murderer. Uncle Otto tries to tell his nephew this, but he is waved off as being crazy.

Stephen King certainly likes writing stories about vehicles that come to life (most famously in Christine)… actually, any kind of inanimate object. In that respect Uncle Otto’s Truck treads familiar territory. I’m sure he would be the first to admit that it’s basic horror, but when it’s done right it can be very effective, and here he is mostly successful.

Although this story starts off quite slowly, once it finds its footing it picks up nicely and is a good read through to the end. Another fine addition to this collection.

Recommended ⇑

Skeleton Crew #16 – Survivor Type…

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Word count – 7,800

Survivor Type is about a medical student called Richard who is smuggling heroin on a cruise ship. When the vessel sinks he is stranded on a tiny island and has to figure out the best way to stay alive. Turns out, eating himself is the way to go.

The story is written in a loose diary form, which serves to convey the passage of time without resorting to awkward and sometimes tedious narrative shifts as day turns to night and back again. Richard also has a shit-ton of the hard stuff to get him through the pain.

Survivor Type is suitably gory in its depiction, and King has stretched a little medical knowledge a long way. It’s the kind of tale that appeals to a more primal level of reader… fortunately, I can dig that.

Recommended ⇑

Skeleton Crew #14 – Nona…

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Word count – 13,800

Nona is about a man behind bars who retells the story of how he met an enigmatic woman when he was in college, who subsequently led him down a dark path and co-erced him into committing evil deeds during their brief time together.

Throughout the course of the story it becomes increasingly clear that all is not what it seems with the tale being relayed to the reader. Nona doesn’t do anything new, and although it is quite long, it’s written confidently and King crafts a good relationship between the protagonist and the mysterious woman that may very well not have been there at all.

After a run of three stories that I couldn’t vibe with, it’s nice to have something that is much more satisfying. One of the better entries in this collection.

Recommended ⇓

Skeleton Crew #13 – The Reaper’s Image…

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Word count – 2,600

The Reaper’s Image is an old King story about a man who visits a museum, with the intention of purchasing an antique mirror… only to be told when he arrives that an image of the Grim Reaper is seen by anyone who stares into it for any length of time.

This is a straightforward horror tale and it doesn’t do anything unexpected, although the writing is a little dry and unmemorable. Again, I will give him some rope as this was an early effort, so this is likely a confidence thing.

With the exception of the couple of poems, The Reaper’s Image is one of the shortest things in Skeleton Crew. It isn’t around for long enough to make a lasting impression, although even then, it mostly outstays its welcome.

Not Recommended ⇓

Skeleton Crew #12 – Beachworld…

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Word count – 6,300

Beachworld is a science fiction story about two men in the far future who land on another planet, only to find it is completely covered in sand. One of them is hypnotised by the allure of the landscape, while the other spends his time trying to get them out of there.

The best thing about this story is the references to The Beach Boys, scattered throughout, but beyond that I have no connection to the tale.

Of course, it’s no secret that sci-fi and I don’t get along very well. As such, I’m probably guilty of losing focus and concentration while reading this. There’s an element of horror to this story, but regardless, Beachworld doesn’t sit well with me. It’s not something I’ll be going back to.

Not Recommended ⇓