From Fact to Fiction…

It’s been a lean year for publications (three have fallen through and one smelled like a con job so I pulled out) but I feel more confident about this one. My dark fantasy/horror hybrid, The Girl in the Glass Bottle, will make an appearance early next year, in Issue 13 of Australian ezine, SQ Mag.

The speculative short story was inspired by a woman at work. She told me about the time she put a message in a bottle and let it ride the waves of the North Sea, and what happened after she did. I love it when real life inspires the things I write, because it’s often just a case of skewing the details into something with a beginning, middle, and end.

Even as she was telling me, her truly endearing tale of friendship was becoming something a lot more sinister and disturbing in my head. How pleased she will be to discover I have twisted her memories in such a way, remains to be seen.

I really should see a doctor.

I Was In My Bedroom, Writing…

Twelve years ago today, the Twin Towers of the World Trade Center went down. Those of us old enough to have been affected, remember where we were and what we were doing.

One September Morning is one of two pieces I penned with that tragedy as a backdrop. Taking inspiration from real life is natural, but some stories – no matter how good they are – you wish you never wrote.

The Evolution of English…

LiterallyThe word ‘literally’ – as well as retaining its traditional definition – now also means… not literally. Here, from Webster’s:

Used to acknowledge that something is not literally true but is used for emphasis or to express strong feeling.

No, I am not joking.

The definition of the word has been changed – or rather, amended – to reflect the fact that, in 2013, people are so poorly educated that, instead of telling them they are wrong, society has now held up its hands, thrown in the white towel, and shifted the academic goalposts to accommodate the people in the stupid corner. If you don’t recognise who these people are; they’re the ones with the pointy hats, eating the glue, and counting with their fingers. Admittedly, the incorrect use of the word ‘literally’ tends to largely be the domain of teenagers and those at least ten years my junior, but is youth a genuine excuse for such misappropriation? Have we given up on the future generation so completely that instead of showing them the error of their ways, we are rewarding their ignorance?

The worst part of the bastardisation of the word, is that now, if you hear someone saying: “I literally jumped out of my skin”, you can no longer reprimand them for speaking incorrectly, because now they’re right. Now, a person can literally jump out of their skin, even if their epidermis remains perfectly intact, and they do – in fact – only mean it metaphorically. Now it seems you can attach any figurative hyperbole to what you say and it will actually be correct. So the word ‘literally’ now means literally and also, the exact opposite of literally; ergo, the word ‘figuratively’ is pretty much unnecessary, because ‘literally’ has gobbled it up.

So now, your heart can literally stop; your head can literally explode; and you can literally die laughing. And you will still be alive afterwards to tell the tale.

I do however, still reserve the right to call you a moron if I hear you say any of these things.

The Last Supper…

supperEveryone knows a Judas – there’s one in every family or group of friends. Emotional assassins. They come into your world with a smile, but eventually siphon away your life with the sharpest blade they can find. And you won’t see it coming either. You probably won’t even recognise this person until it’s too late, but they’d gladly sell you out for thirty pieces of silver or watch you hanging from a cross. They’d hammer the nails in themselves. And it’s usually someone close; someone you’ve broken bread with many times. Shared secrets. You’ve offered help and they’ve taken it. And you don’t expect anything in return, except… well, except that friendship you always thought you had anyway.

So, take a close look at those you around you. Trust me, one of them is plotting your demise right now.

A Writer’s Death…

IntersectionDriving through a red light at an intersection is never a great idea, and is only really acceptable in rare circumstances (pregnant woman in the passenger seat, being chased by the FBI, late for a date with Evangeline Lilly, etc), so when I did it today, I had very little in the way of an excuse.

So, why did I do it? Nothing as exciting as any of those I’ve mentioned, I’m afraid. I was trying to iron out one particularly stubborn – Ray Davies-sized – kink in my novel, in my head, and I completely switched to auto-pilot while I was behind the wheel. My bad, of course.

It would almost have been acceptable if the lights had just turned red (because we all do that from time to time, don’t we?), but that wasn’t the case. I know that because just as I figured out the answer to my literary conundrum, I awoke to find myself driving through the middle of the intersection, past an elderly woman who was quite rightly crossing the road in good faith, not expecting to meet her maker at the hands of a guy who was trying to plan Chapter Eighteen at thirty miles per hour. She – quite rightly – gave me the dirtiest of looks as I went by.

I guess I’m lucky she was the only thing I met in the centre of the crossroads.

Crisis? What Crisis?

Last week I decided to forego the fast ride and the buxom blonde typically associated with the male mid-life crisis, and opt for the somewhat more sedentary escape of entering the APAT English Amateur Poker Championships, which took place over the weekend of June 29-30 in Coventry. I was visiting my nephew in Salisbury the following week anyway, so it slipped rather nicely into my schedule, and trusting that the planets had aligned in such a manner for a reason, I decided to pony up the not insubstantial buy-in and register.

Less expensive than the sports car, and (mindful of how I phrase it) ultimately more fulfilling than an eighteen year-old, I thought a couple of days of poker may be just what I needed to recharge the batteries.

Of course, a seven hour drive timed so that I would arrive with about ninety minutes of rope is not the best preparation for ten and a half hours of poker, but that’s just what I did. Somehow, running on instinct towards the end of the night, I made it though to the next day as one of the 36 remaining from the initial 147 entrants.

After a fairly uncomfortable sleep in a hotel I would only recommend for the cute Eastern European woman behind the bar, I hit the casino to finish off the tournament. Three hours later there were 15 remaining, and I had been nursing the shortest of stacks for about thirty minutes. Finally my monster hand of 5 3 offsuit was taken down by the eventual winner’s A 10.

Can’t complain. I turned a 100% profit on the entry fee.

APAT

Thank You For the Satisfying Biscuit…

shortbreadAt least two days out of five, someone in the office will leave home-baked goods in the kitchen, and as I don’t sit too far from there, I’m never short of a sweet treat on these days. Most of the stuff is very good and occasionally, someone who has enjoyed these said treats will leave a note saying so.

Yesterday I read this, on a torn piece of paper, by the sink:

thanks for the shortbred it was well tasty!!!! 🙂

The crudity of the penmanship itself belies the fact that the youngest person in the area has been out of school for at least a decade; which is not to say anything about the poor spelling, the lack of capitalisation, the unnecessary exclamation marks, and – a personal bugbear of mine – the complete misuse of the word ‘well’. I find it hard to believe that when people use the word in this context they think it’s right. It certainly sounds wrong when it comes out of their uneducated mouths, but yet they persist.

It’s true, I do sometimes ride my high-horse about language – but I’m not a grammar Nazi… trust me, I let a lot of stuff slide. Although she has never said, I know my mother thinks I’m on some kind of personal crusade to eradicate proponents of poor language from this world, but if I was, she’d be one of the first to be ostracised. Fortuately – amongst her multitude of literary sins – she has never uttered the phrase ‘well good’.

Anyway, rant over. It was just an itch I had to scratch.

Having said all that, I do agree with the sentiment: the shortbread was bloody good.

Mum, Do Not Read This Post…

I mean it

Is she gone? Ok…

I have long considered myself A Writer – in the broader sense of the phrase – whether I get paid for it or not. The money that occasionally comes with it (while nice) is immaterial to how I view myself. After all, why should the level of remuneration determine who or what I am? I don’t want to be a part of a society where we are all just the sum-total of how big our wallets are. Is that really how I am supposed to measure my self-worth? Writing is what I do. It’s what I have always done, and I will continue to do it for as long as I’m here. Period. Pay me lots or pay me nothing – it doesn’t matter to me; I’m a writer either way…

…But over the last couple of years, the writing has nearly killed me. That’s not a figure of speech or an exaggeration; nor is this, as the stand-ups would say, a ‘bit’. I was close to no longer being alive, and – although there were several contributory factors (both emotional and physical) – in my head, the writing has been the root cause of everything, and it almost pushed me over the edge without the proverbial parachute.

Very often my words will reflect, to some degree, what’s going on beyond the two-dimensional world of the keyboard, and as such you will find most of the key moments in my life have been marked, referenced, and represented in my fiction at some point and in some way. But as cathartic and liberating as that can be, the writing is predisposed to darkness, so it means I’m invariably taken to some murky places.

I have been depressed. Most of the people around me would probably argue my ability to perform such a self-diagnosis, but that doesn’t matter. I was. Sometimes you don’t need a degree or a comfortable couch to see depression in the mirror; in the same way that if there’s a bone sticking out of your knee, you know (at the very least) that you’ve broken your leg. I just saved everyone a little bit of time. I’m not saying it lightly, nor am I trying to court sympathy, but it is true. Perhaps I still am depressed: I don’t really know for sure. What I do know is that I’m coping better with the demons inside my head today than I was then.

I read an article a while ago that suggested creative people (and, for the sake of argument I’ll go ahead and include myself in there) are more susceptible to depression than people in any other walk of life. Even dentists. But don’t take my word for it: Raymond Chandler, Agatha Christie, Charles Dickens, Ernest Hemingway, Sylvia Plath, and Mark Twain are just a handful of the famous authors who have suffered. It’s something to do with the way we are designed – the way we are programmed to think. We’re just different. We have hidden depths, and sometimes a mind can lose its way down there. I know that is certainly true of me and mine.

Well, I’ve been here, alone in this metaphoric room, for a long time. There is little light, and I have no key for the door. There have been long periods when I didn’t think I would make it back out – and perhaps more importantly, moments when I didn’t care if I did. I think it’s difficult for ‘non-creatives’ (to coin a phrase) to empathise, and that’s not intended to sound as pretentious as it possibly does. I’m merely talking from experience, and the people I have surrounded myself with over the years.

Why don’t I just give it up then?

Well, you see, the thing about the writing is – I am not really in control of it. I never have been. Now of course, the negative suggestion within that admission is that the writing is something I do not wish to do, but that couldn’t be further from the truth. I have always wanted to write, and I am glad that I can do so to a (seemingly) reasonably high standard, but it is an addiction of sorts. I cannot not do it. It’s my drug of choice. Writers will often say similar things in an attempt to romanticise their craft, or to create an enigma, but I’d like to present it more as… why.

For the majority of the time I write whatever needs to be written. Sometimes other parts of my life are temporarily knocked off balance by this. I forget things. I zone out of conversations and into whatever world I’m creating for my characters. I can be short-tempered and (even by own standards) overly sarcastic. I occasionally don’t see the bigger picture, or what’s going on around me in the ‘real world’, if I’m focused on the detail of a story. Usually the upset is temporary, but infrequently the collateral damage leaves scars, and sometimes those scars don’t heal all that well. In the past, I have always scored these off as necessary evils, but in my darker moments I often question the validity of it all, and the impact my passion has had on those around me.

So in short, the writing has simultaneously enhanced my life, and very nearly destroyed it. I don’t know where I’d be without it, but I certainly don’t think I’d be… me. It is a fundamental part of who I am. It has come to define me, and – for better or worse – I have to accept that.

The Accidental Novel…

In June 2012 I wrote a short children’s comedy called The Stork, about ten-year old best friends Jack and Patrick, as they discussed where babies came from. It was intended to be an antidote to the darkness and depression that sometimes permeates my words, but a few months later I wrote Robotosaurus Rex, which was another snapshot of these two boys’ childhoods; this time as they talked about time travel. Over the last few days I finished writing When We’re All Grown Up – the third tale in what I now am beginning to see as chapters in a larger project that I had not planned at all.

I have no immediate plans to write a fourth entry in this series, but The Jack & Patrick Chronicles (as I now see these stories) do lend themselves to other conversational adventures. Kids talk about a lot of stuff – some of it banal and meaningless, but a lot of it is interesting and worthy of some lightly humourous exploration.

Before I know it I could have something much larger on my hands.