Tag Archives: Jerusalem’s Lot

Night Shift #2 – Graveyard Shift…

619i-4slsfl645695221..jpgWord count – 6,100

Although Graveyard Shift certainly feels like an early King story it does have several touchstones that would go on to become hallmarks of his longer and more lauded works – the quick, back and forth dialogue, the grisly descriptions, and the creatures hiding in the darkness.

Not only that, but the style and production of the writing here instantly makes this a more successful excursion than Jerusalem’s Lot, the story that began Night Shift. It’s much shorter as well. Here, King tells the story and gets out… something he does not do as often as he probably should.

Yes, Graveyard Shift is little more than a basic tale of mutated killer rats surviving in the depths of a textile mill – there really isn’t any more to it than that – but when this was originally published King was barely twenty-three years old, so I’ll cut him some slack for the crudity of the writing and the under-developed characters, because I know that he will go on to improve greatly on both of these things.

A much better entry to the collection, and one that I am happy to give the thumbs up to.

Recommended ⇑

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Night Shift #1 – Jerusalem’s Lot…

619i-4slsfl645695221..jpgWord count – 12,900

Jerusalem’s Lot is the fairly lengthy short story that kicks off Stephen King’s first collection of short stories, Night Shift, and I’ll say it right now – it’s not one of his best.

It’s designed as a prequel to his second novel, ‘Salem’s Lot, which I barely remember reading all those years ago, but as such this piece suffers because I can’t help but feel as though I’m not getting the whole story here. It’s like going to a restaurant, having a starter, and then walking out before the main course arrives.

Having said that, if ‘Salem’s Lot was written in the same manner as this (and it isn’t), I’d probably not want the entire meal anyway, because Jerusalem’s Lot is told in an epistolary format (as a series of letters). This certainly can be interesting and suspenseful if done correctly and in the right hands, and if King had more experience under his belt when he wrote it, this would have been a lot better, but as it is, this story drags, making you feel every word written on the page.

If you’re coming to this collection looking for King’s strengths, you best dig a little deeper into the book, because you won’t find it here.

Not Recommended ⇓